The LiveTrak is very easy to nut out without a manual. Given the similarities in their specifications, we also decided to review the two models against each other. Of course we were curious to take the pair for a spin. It’s not a throwback as much as it is a throw-forward. Their arrival is not in a spirit of nostalgia - they’re here as standalone value propositions, offering convenience, immediacy and portability in a computer-and-software flooded world. Both have real life faders, 16 preamps, built-in effects, and an SD Card slot for PC-less recording. You may not call it a ‘resurgence’ but the last few months have seen the release of not one but two such devices: the Tascam Model 24 and Zoom LiveTrak L-20. Since in-the-box recording became mainstream, naturally the market underwent a drought of these all-in-one recorder-type products. No computer restarts or software updates, no menu diving, plug-in list scrolling or I/O configuration. Recording was often more spontaneous and less complicated. There’s something about not having a gazillion options that made me focus on what’s important while saving me a lot of time. As far as sonic quality goes, it does the job every time, and then some.īut there’s just something that little Boss unit did for me that my schmancy DAW rig can’t touch. The whole thing is contained in a roadworthy 4U rack. With DSP on my interface I have the choice to compress, EQ and saturate incoming audio to my heart’s content. Yes, my computer-centric setup gives me numerous channels of high-quality preamplification into pristine conversion, which the Boss did not. Many a memorable tune was produced on that little box, despite its limitations in comparison to what I’m now used to with a DAW-based rig. It had nine faders, two inputs, a bright orange screen and a scroll wheel. I began my foray in audio on a Boss BR-900CD recorder.
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